Test 01 Model - Yume v6 #anime #art #animation #yume
Test 01 Model - Yume v6 #anime #art #animation #yume
Prompt
16:9 cinematic animation keyframe, Yume v6 on Mirrorize, industry splash for a highgrade avantgarde sequence. ARTSTYLE 1:1 TO MIDLIBRARY "Guido Crepax" copy the LINE, not Valentina: Italian fumetti. Art Nouveau × 1960s Milan modernism. Bold BLACK imperfect ink, weightchanging, decorative hatching, parallelline fields, stipple in the shadows. High contrast. Ivory paper showing through. Cinematic closeups stacked in ONE widescreen eyes, mouth, hands, objects like Crepax panelfragmentation collapsed into a single 16:9 splash. Psychological. Retro. Enigmatic. Fashion body language. Predominantly monochrome with TWO saturated hits only: bloodred REC and phosphor teal CRT. Not 3D. Not photoreal CGI. Not Tanaami neon. Not manga speedlines. Not a 4panel grid. Not a Louise Brooks reprint. If this is fullcolor candy psychedelia, it has failed. If this is a Valentina costume copy, it has failed. THEME: "stream or die" Go live or disappear. The camera is the clock. The clock is a blade. ONE 16:9 ACTION TABLEAU Crepax grammar, new composition, new face: Auteur EXTREME close, 16:9, slightly Dutch, as if a boommic is in the ink. An adult woman, NOT Valentina: silver geometric 1960s pixie, huge Crepax eyes, heavy lashes, small mouth midWORD, fashionphotographer energy, PacoRabanneadjacent metaldisc collar, black turtleneck. She is ON AIR. One hand SLAMS a chrome toggle the size of a guillotine lever the action keyframe. The lever is stamped STREAM. The other hand is already cut by a tangle of coiled microphone cables that grow into Art Nouveau vines, hatching becoming thorns. AROUND HER, Crepax cinema, not clutter: A giant analog broadcast clock with a single red secondhand at 12 DIE as a tick. A CRT monitor in teal phosphor showing HER OWN EYE, delayed one frame. A red REC sun, saturated, the only true colorfield, bleeding into the hatching like a wound of light. Milan palazzo windows as vertical ink bars in the deep background. Chat is not UI it is Crepax stipple turning into tiny unreadable black birds of type, swarming the left third. White space is used as a weapon, the way Crepax uses white. CAMERA / GRADE: Lowish on the slamming hand, her eye occupying the upperright third, the CRT occupying the lowerleft. Strong negative ivory. Blacks crushed. Grain of printed fumetti. Bold imperfect contour around the lever, the discs of the collar, the lashes. Saturated red REC vs teal CRT vs black ink vs paper. No rainbow. No goldfish. No fridge. No tiger. DETAIL DENSITY: Individual lashink. Fingerbones in the slamming hand. Cablebraid as Nouveau scroll. Clockface numerals in period Italian lettering. Scanlines on the CRT, drawn, not photographed. Stipple in the hollow of the throat. Paper tooth. A drop of ink that is also a drop of sweat. TYPOGRAPHY (one line, period, handinked, slightly crushed): STREAM OR DIE No logos. No URLs. No "Valentina". No other words. DO NOT: Do not draw Louise Brooks / Valentina 1:1. Do not make this a webcam screenshot. Do not add rainbow psychedelia. Do not make the figure a child. Do not fill every inch Crepax needs the white. Do not turn the cables into snakes with faces. Finished as a highgrade animation studio keyframe the frame where she hits the lever and the secondhand decides. Raw. Inked. Unrepeatable. by Guido Crepax v 7 sv 4
